“That’s one small step
for art history,
one giant leap for a woman”
Aleksandra Mir
She watched Neil Armstrong stepping on the Moon in 1969 as a two-year old living with her family behind the iron curtain in Communist Poland.
’The Moon landing was a momentous and unifying event. We couldn’t cross the Western national border but witnessed these far-far away images of humanity’s biggest leap together with the rest of the world population on the same type black-and-white TV’.
30 years later, as an artist living in New York, Mir sent Neil Armstrong the video of her work, First Woman on the Moon (1999). He replied with good humor and congratulations!
Mir’s Moon landing has since been shown at the Metropolitan Museum of Art, New York, Royal Museums Greenwich, London, Vasarely Museum, Budapest and the Mori Art Museum, Tokyo, among 60 other worldwide exhibitions.
The artwork was also embraced by the Space Industry: UK Space Conference, Liverpool, International Space University, Strasbourg and the International Astronautical Congress, Washington D. C.
Read More About Aleksandra’s back story or Visit the Print Shop to Begin your Collection
Gravity
Mir has participated in over 370 art exhibitions in 40 countries with a diverse body of work, from live Drawing and ephemeral Performance to monumental Sculpture, Prints and Publications.
Transnationalism, Aviation and Space Exploration are recurring themes in her art that she delivers with an underlying playful irony and pathos.
‘My 22m rocket Gravity built out of scrap was obviously never going to go into outer space. It was a metaphor for what holds us back – social, political and mental gravity’.
On the Road
Since her family’s political exile to Sweden in the early 70s, Mir has continuously travelled and lived in diverse places: a tenement apartment in the East Village, New York, a palazzo in Palermo, Sicily, a commune on the island of La Gomera.
In between long periods on the road, she also held art residencies and created site-specific work in San Francisco, Vevey, Glasgow, Reykjavik, Stouffville, Porto Alegre, Sydney, Vejer de la Frontera, Mexico City, Hong Kong, and Antarctica.
A Collage Mentality
“The dadaists invented the artistic collage to describe a fractured society after WW1. I adopted a collage mentality as a way of creating unity between the fractured parts in my life”.
Cultural traditions are all manmade and made up of parts that can be endlessly combined into new stories and innovations. I take my liberty to use them all!’
An Education
Arriving in New York to study at the School of Visual Arts in 1989, with further studies in Cultural Anthropology at the Graduate Faculty, New School for Social Research, Mir eventually became known for her large scale collaborative projects and for her anthropological methods, involving rigorous archival research, oral history and field work.
On Location
‘Every location and circumstance has challenged me in new ways. I can be backpacking alone with a small drawing pad, striking a performative gesture with a friend, recruiting groups of collaborators to develop a large-scale exhibition together, doing a museum solo show with lots of resources or clearing red tape on an international airport tarmac – the mental effort to create a new work is the same’.
Witnessing
’Being an artist is for me not primarily about making, but ultimately about observing. I am constantly looking at old photographs to see what has changed. I am looking at the world around me to try to understand how it has been put together, who made it and why.
And then I add my two cents to it, simply as a marker of having been alive to witness’.
The Concept of Heaven
Mir spent 15 years in New York City and when she left for Sicily in 2005, she carried little but her library on Space and Astronomy with her, mainly as an anchor to her past.
‘When I arrived in Palermo, I soon befriended the gallerist Francesco Pantaleone who worked in his five-generations-old family catholic shop, selling everything from rosaries and candles to priest’s cloaks and large-scale church decorations, next to staging wild parties and contemporary art shows in his crumbling palazzo, close to where I lived in the historical center.
One day he visited my studio, saw me work on a collage and brought me to his shop’s warehouse where he handed me a box of antique communion certificates – a material gold mine!
That year I became obsessed with the concept of Heaven. I scoured the markets and sourced more antique materials from Italy, Spain, Ireland, Latin America and Eastern Europe, cut up all my Space and Astronomy books and the rest is Art History’.
Build Your Collection
Jesus Christ surrounded by a spectacular burst of rockets radiating outward like a halo of human striving — this is one of the most powerful images in the series, a Fine Art Print of an original hand-cut paper collage by the artist Aleksandra Mir.
The new artwork combines source materials from antique religious and modern scientific imagery into a new physical and fantastical reality. The source is a large format 19th century French devotional lithograph with the text AIMEZ-VOUS LES UNS LES AUTRES (Love one another).
Into this solemn image Aleksandra Mir has collaged an explosion of rockets — many different types from different eras and nations, recognisably including Saturn V, Indian PSLV, and various missiles — launching, soaring and careening in every direction around the figure. Explosions of fire and exhaust clouds fill the background. Christ holds a rocket in one raised hand, imbuing the artwork with extraordinary compositional energy.
Giclée pigment ink on Hahnemühle German Etching paper results in a superior quality print with exceptional detail, vibrant color accuracy, and long-term durability. The fresh print reproduces an aged authentic patina and the imprint of the artist’s hand-crafted marks.
· Archival Museum Quality ·
· Limited Edition. 100 ·
· Certificate of Authenticity ·
· Hand & Human-Made without AI ·
· 100% Carbon Neutral ·
· Free Worldwide Shipping ·
A cluster of cherubs — putti, the chubby winged angels drawn from Renaissance and Baroque painting — surround an outer space rocket. Together they are launched into the blue heavens or perhaps all the way to outer space. This joyful Fine Art Print reproduces an original hand-cut paper collage by the artist Aleksandra Mir.
The new artwork combines source materials from antique religious and modern scientific imagery into a new physical and fantastical reality.
The cherubs, traditionally symbols of the divine and heavenly aspiration, have transferred their devotion from the sacred to the technological. The rocket becomes the new object of veneration — humanity's collective dream made metal. The old world meets the new in an incongruous but tender embrace.
Giclée pigment ink on Hahnemühle German Etching paper results in a superior quality print with exceptional detail, vibrant color accuracy, and long-term durability. The fresh print reproduces an aged authentic patina and the imprint of the artist’s hand-crafted marks.
· Archival Museum Quality ·
· Limited Edition. 100 ·
· Certificate of Authenticity ·
· Hand & Human-Made without AI ·
· 100% Carbon Neutral ·
· Free Worldwide Shipping ·
An Italian First Communion certificate, framed with a delicate border of pink roses, gold ribbons and green ivy, becomes the setting for a Space Shuttle on its launch pad — bathed in golden floodlights against a dusky sky. This wondrous Fine Art Print reproduces an original hand-cut paper collage by the artist Aleksandra Mir.
The new artwork combines source materials from antique religious and modern scientific imagery into a new physical and fantastical reality. It is at once a collision and a communion of concepts. A certificate marking a child's most sacred rite of passage in Catholic tradition now enshrines the impending Space Shuttle launch as its holy image. Humanity’s launch into the universe is celebrated as a coming of age milestone.
The blank lines waiting to be filled in are deeply poignant — this could be anyone's communion with the cosmos. The roses and gold filigree frame the rocket with the same tenderness reserved for the divine. It's playful, warm and genuinely sweet.
Giclée pigment ink on Hahnemühle German Etching paper results in a superior quality print with exceptional detail, vibrant color accuracy, and long-term durability. The fresh print reproduces an aged authentic patina and the imprint of the artist’s hand-crafted marks.
· Archival Museum Quality ·
· Limited Edition. 100 ·
· Certificate of Authenticity ·
· Hand & Human-Made without AI ·
· 100% Carbon Neutral ·
· Free Worldwide Shipping ·
Exhibition History
Views from M - Museum, Leuven, Whitney Museum of American Art,
San José Museum of Art
and numerous other international exhibitions
Aleksandra Mir’s original collages were exhibited internationally in galleries and museums, performed live at art festivals and appeared in the Pantaleone Catholic shop window in Palermo, Sicily, where they originated.
God is design
Group exhibition curated by Neville Wakefield
29 March – 31 May 2008
Galpao Fortes Vilaca, São Paulo
The Dream and The Promise
Solo exhibition
30 Sept – 21 Nov 2009
Galeria Joan Prats, Barcelona
Catch Me! Grasping Speed
Group exhibition curated by Katrin Bucher Trantow
5 Feb - 25 April 2010
Kunsthaus Graz
The Seduction of Galileo Galilei
Solo exhibition curated by Chrissy Iles and Carter Foster
20 Oct 2011 - 19 Feb 2012
Whitney Museum of American Art, New York
The Dream and the Promise
Solo exhibition
10 April - 15 May 2010
Gavlak, Palm Beach
The Space Age
Solo exhibition on the Invitation of Eva Wittocx
28 Nov 2013 - 16 Feb 2014
M - Museum Leuven
The Dream and The Promise
Performance Curated by Nahum Mantra
17 - 19 Sept 2015
KOSMICA, Laboratorio Arte Alameda, Mexico City
Il Sogno e la Promessa, Solo exhibition
16 March - 15 April 2010
Magazzino d’Arte Moderna, Rome
Unbound Thoughts
Group exhibition curated by James Jernigan
18 Feb - 10 April 2010
James Kelly Contemporary, Santa Fe
Face Your Demons
Group exhibition
12 May - 24 June 2010
Milliken Gallery, Stockholm
Natural Renditions
Group exhibition curated by Diana Campbell and Eric Gleason
3 June - 9 July 2010
Marlborough Gallery, New York
Christmas in July
Group exhibition curated by Simon Castets
1 - 31 July 2010
Yvon Lambert, New York
Retro Tech
Group exhibition curated by Kristen Evangelista
22 July 2010 – 6 Feb 2011
San José Museum of Art
Build Your Own World
Biennial curated by Scott Kildall and Victoria Scott
16 - 20 Sept 2010
San José Convention Center
Italian Journey
Group exhibition curated by Ludovico Pratesi
2 Oct 2010 - 9 Jan 2011
Palazzo Fabroni Arti Visive Contemporanee, Pistoia
The Seduction of Galileo Galilei
Solo exhibition curated by Sarah Robayo-Sheridan
18 June - 6 Aug 2011
Mercer Union, Toronto
Discursive Variants. MUSAC Collection III
7 May - 4 September 2016
Curated by Augustin Perez Rubio
MUSAC, Museo de Arte Contemporáneo de Castilla y León
Laboratory of the Future
Group exhibition curated by
21 June 2011 – 15 January 2012
CCA Ujazdowski Castle, Warsaw
Star City: The Future Under Communism
Group exhibition curated by Alex Farquharson
13 Feb - 10 April 2010
in conjunction with
The Futurological Congress
12 Feb 2010
Nottingham Contemporary, Nottingham
Il bel paese dell' arte
Group exhibition curated by Giacinto Di Pietrantonio and Maria Cristina Rodeschini
28 Sept 2011 - 19 Feb 2012
GAMEC - Galleria d'Arte Moderna e Contemporanea, Bergamo
Souvenir
Group exhibition curated by Lucie Fontaine
22 June - 27 July 2013
Galerie Perrotin, Paris
Party with us - 10 years later
Group exhibition curated by Valentina Bruschi
27 Sept - 15 Dec 2013
Francesco Pantaleone Arte Contemporanea, Palermo
They used to call it the Moon
Group exhibition curated by Alessandro Vincentelli
25 April - 29 June 2014
BALTIC39, Newcastle upon Tyne
In the Beginning / End States
Group exhibition curated by Seth Sgobarti and Thomas Arnold
15 May - 21 June 2014
Sgobarti Projects, NYC
Father Figures Are Hard to Find
Group exhibition curated by Alicia Agustín, Markues Aviv, Raoul Klooker and Vince Tillotson
19 March - 1 May 2016
nGbK Kunstverein, Berlin
The Passion
Group exhibition
Hall Art Foundation
April 2019 - March 2020
Derneburg
This is Us. A Capsule to Space
PhEST – International Festival of Photography and Art
Organized by Giovanni Triolo
8 Aug - 16 Nov, 2025
Monopoli
Build Your Collection
Two astronauts with the faces of Mary and Jesus Chris. This striking Fine Art Print reproduces an original hand-cut antique paper collage by the artist Aleksandra Mir.
The cleverly constructed collage and its title plays on Grant Wood's iconic 1930 painting American Gothic — but instead of a stern farmer and his wife standing before a Gothic-style house, we have two figures in gleaming silver NASA spacesuits from the early space age (Gemini-era, circa 1960s). Inside the helmet visors, replacing the astronauts' faces, are collaged Renaissance portraits from devotional religious paintings — The Madonna and Jesus Christ.
Aleksandra Mir has transported Wood’s original farm worker and his wife from rural America into the space race, and replaced their very identities with Old World sacred imagery. It's a witty commentary on American ambition, technology as a new religion, and the collision of the sacred and the scientific.
Giclée pigment ink on Hahnemühle German Etching paper results in a superior quality print with exceptional detail, vibrant color accuracy, and long-term durability. The fresh print reproduces an aged authentic patina and the imprint of the artist’s hand-crafted marks.
· Archival Museum Quality ·
· Limited Edition. 100 ·
· Certificate of Authenticity ·
· Hand & Human-Made without AI ·
· 100% Carbon Neutral ·
· Free Worldwide Shipping ·
A Renaissance-style Madonna and her Child admire a Space Shuttle launch — the brilliant orange and red explosion of ignition filling the scene with light and fire. Remarkably, the Madonna's outstretched hand appears to be touching the shuttle, and the Christ child reaches toward the flames — as if blessing or directing the launch. This powerful Fine Art Print reproduces an original hand-cut antique paper collage by the artist Aleksandra Mir.
The new artwork combines source materials from antique religious and modern scientific imagery into a new physical and fantastical reality. The sleeping child of the title becomes the awakening of human technological ambition. The serene, monochrome devotional world of the engraving is violently and beautifully interrupted by colour, fire and modernity. The Madonna appears not alarmed but composed — as though she has always known this moment was coming.
Giclée pigment ink on Hahnemühle German Etching paper results in a superior quality print with exceptional detail, vibrant color accuracy, and long-term durability. The fresh print reproduces an aged authentic patina and the imprint of the artist’s hand-crafted marks.
· Archival Museum Quality ·
· Limited Edition. 100 ·
· Certificate of Authenticity ·
· Hand & Human-Made without AI ·
· 100% Carbon Neutral ·
· Free Worldwide Shipping ·
An astronaut with the face of a Saint has landed on the Moon. This is a Fine Art Print of an original hand-cut paper collage by the artist Aleksandra Mir.
The new artwork combines source materials from antique religious and modern scientific imagery into a new physical and fantastical reality. The collage combines an iconic NASA Apollo-era photograph with a Renaissance-era painting. Both the Renaissance church and NASA's space programme represent the greatest collective ambitions of their respective ages — one reaching toward God, the other toward the cosmos. Both demanded total devotion, sacrifice, and the marshalling of the finest human minds and resources of their time. Both produced objects of transcendent beauty in the process. The saint and the astronaut are mirror images across five centuries.
By placing one inside the other, the work asks: have we simply replaced one form of devotion with another? Or were they always the same impulse — the human need to reach beyond the known world toward something greater than ourselves? The contrast between the technical, industrial spacesuit and the serene, almost meditative expression of the painterly saint’s face is quietly profound. It suggests innocence, wonder, or perhaps the inner life behind great human endeavour.
Giclée pigment ink on Hahnemühle German Etching paper results in a superior quality print with exceptional detail, vibrant color accuracy, and long-term durability. The fresh print reproduces an aged authentic patina and the imprint of the artist’s hand-crafted marks.
· Archival Museum Quality ·
· Limited Edition. 100 ·
· Certificate of Authenticity ·
· Hand & Human-Made without AI ·
· 100% Carbon Neutral ·
· Free Worldwide Shipping ·
Frequently Asked Questions
-
A collage combines elements from different sources into a new image and physical reality. The physical materials for the original collages were sourced from antique dealers and second-hand bookshops. As such, the fresh print reproduces a patina with authentic wear and tear. Furthermore, in creating the collages, the artist sliced and tore through the source materials leaving the imprint of her hand-crafted marks.
Aleksandra Prints are museum-quality reproductions of original hand-cut antique paper collages by artist Aleksandra Mir.
The collages were created in the artist’s Palermo, Sicily studio in 2007-2009 and exhibited internationally in galleries and museums for the past two decades. Today, most originals are part of private and permanent public collections.
Aleksandra Prints started on the initiative of an audience member who discovered the original artworks in an exhibition and asked for affordable reproductions.
100% human-made. No AI was used in the creation of these artworks.
-
Giclée print on Hahnemühle German Etching paper
The word Giclée (“g-clay”) is derived from the French verb gicler, meaning “to squirt or spray”. It is a process that uses high-resolution inkjet printers, pigment-based inks and acid free papers to achieve a superior quality print with exceptional detail, vibrant color accuracy, and long-term durability.
Hahnemühle German Etching is a traditional mould-made copperplate printing paper. The white art paper made from 100% alpha cellulose is characterized by its extraordinary velvety tactile feel and its fine, clearly defined felt structure. The unique surface texture adds a very special touch to images, showcasing them in all their splendour with impressive three-dimensional effect and depth. German Etching is acid- and lignin-free and meets the most exacting requirements in terms of age resistance.
-
Aleksandra Prints come in three standard formats, Small, Medium and Large:
A4 (S) – 21 x 30cm / 8.3 x 11.7"
A3 (M) – 30 x 42cm / 11.7 x 16.5"
A2 (L) – 42 x 59cm / 16.5 x 23.4"Please note that each original collage was created in a unique format and the image areas within the prints therefore slightly vary. The image areas are surrounded by white space to create the uniform print formats: A2, A3 or A4.
You can keep the white space, extend it with a mat or crop it out when framing.
-
Aleksandra Prints are only available from this website, www.aleksandraprints.com
Each print comes with a signed and numbered Certificate of Authenticity that holds a 3D embossing.
We are able to confirm the first sale provenance of every print.
-
Aleksandra Prints does not offer framing because shipping artwork behind glass is both risky and expensive. It is much better to have your print framed closer to home.
We recommend these three style options:
Minimalist – A ‘frameless’ clip frame in glass or acrylic in standard A4, A3 or A2 formats that match the prints sizes exactly. These type of frames are easily available in shops and can be ordered online.
Mediumalist – Adding a larger white or colored mat to extend the white space around the image area up to any preferred size. This framing method protects the print by allowing some air between print and glass. Select any custom-sized frame and profile from a framer of your choice.
Maximalist - New or antique Gold, Bronze or Silver custom made frames with a different profile for each print. Visit a local framer to explore their profiles or source frames from markets and antique shops.
-
Aleksandra Prints offers FREE shipping worldwide.
Our prints are produced in and shipped from the United Kingdom by Royal Mail.
Production & Delivery (UK) 7 days (EU/USA) 14 days (Rest of the World) Pending Location.
As soon as a print is shipped you will receive an email with tracking details for your order.Customs Fees & Taxes:
UK orders: No VAT.
USA orders: No sales tax or tariffs.EU orders may be subject to local import VAT and a small customs handling fee payable on delivery. These charges are set by your country’s customs/courier and are not collected by us. The commodity code 4911 91 00 refers to pictures under the category of printed matter with a charge that can vary between ~7–27% of the order value. Please refer to your local customs office for the exact rate.
Some countries — including Brazil, Argentina, Indonesia, South Africa, Chile, Mexico, and others — may charge import duties, VAT, or customs clearance fees. These are not included in your payment and must be paid by the recipient upon delivery.
Contact us
Here to help and to answer your questions! -
Return Policy
All sales are final. Each print is made to order and numbered exclusively for you, so we're unable to accept returns. If anything arrives damaged, we'll make it right.
We offer replacement prints if the product arrives damaged or is significantly delayed (postage delays which could be considered normal, or delays due to items being held up in customs will not be refunded).
Significant Delays
Although most orders arrive without any issue, some can be delayed. We will do our best to help find out what the issue is, but only after these times have passed can we make a claim with Royal Mail for loss and offer a replacement:
UK: 10 days
Europe: 25 days
Rest of the World: 32 daysDamaged prints
In the unlikely event the print arrives to you damaged, we will send a replacement free of charge. To arrange this please contact us within max 2 days with photos of the damaged print and its packaging.
We value your custom and thank you for your understanding and cooperation!
-
Aleksandra Prints are produced in the UK by a small 100% carbon neutral print facility, which means they minimise energy usage, use renewables, and offset the remaining emissions by investing in renewable energy projects.
Our paper manufacturer only use resources from sustainable forest management areas. This programme ensures the preservation and protection of biodiversity, the renewal of the forests habitats and decreasing of the impacts of exploitation of forest areas for future generations.
All the packaging used for our customer orders are a mixture of sustainably sourced, recyclable or biodegradable materials.