A small step for a woman

De Standaard
Brussels, 5 Dec 2013

“The collages were not created with Photoshop, but rather using the old cut-and-paste technique that the Dadaists were so fond of. The works were covered with gold leaf, referring to icons”

By Sam Steverlynck

Forty years after it happened, the moon landing still captures the imagination, including that of artist Aleksandra Mir. At Museum M, she shows what NASA and Christian icons have in common.

A date that may not mean anything to you, but is nevertheless of historical importance: August 28, 1999. It is the day on which the first woman set foot on the moon. At least, in the video First Woman on the Moon by Aleksandra Mir, a Swedish-American artist with Polish roots.

In the video, you see a family, including a naked toddler, looking up in amazement at construction cranes dumping mountains of sand on the beach at Wijk aan Zee in the Netherlands: a fictional lunar landscape. In the background, you hear John F. Kennedy and commentators from 1969 describing Armstrong's moon landing while beachgoers stretch out and enjoy the sun.

Once the cranes have finished, the artist plants the American flag in a mountain of sand – in the background, the legendary words echo: “That's one small step for man, one giant leap for mankind.” Mir's video is a re-enactment of the moon landing, but with a playful, feminist twist. The video plays with the way that event was portrayed by the media – and, according to some, even staged.

First Woman on the Moon is one of Aleksandra Mir's best-known works, and therefore could not be left out of the small but coherent exhibition that M Leuven is now dedicating to her. All the works in the exhibition are about space travel.

“But I'm not a science fiction freak,” Mir says immediately, “I see space travel as a metaphor for life and our stubbornness in wanting to overcome the laws of gravity.”

Jesus on the Moon

This is particularly evident in The Seduction of Galileo Galilei. In this video, cranes are used to stack as many car tires as possible on top of each other. A mundane task that is given the air of a heroic deed by the bombastic soundtrack. The tires keep falling over, dooming the attempt to reach the heavens to failure. Or how the myths of Sisyphus and Icarus come together.

In addition to videos, Mir also displays an old print of the Saint Bernardus van Clairvaux praying to a rising rocket, a priest anointing another rocket, and Jesus on the Moon. The collages were not created with Photoshop, but rather using the old cut-and-paste technique that the Dadaists were so fond of. The works were covered with gold leaf, referring to icons.

”I found many old religious prints in Sicily,” says the artist. “I also visited the Kennedy Space Center in Florida.  And suddenly, I saw the strange similarity between the Christian iconography and those NASA images: Similar gazes toward the sky, gazes that express hope, fear, and admiration.” So, Mir brought both worlds together. “If Angels and astronauts share the same sky, isn’t it time they were introduced?”

The whole exhibition is interspersed with enlarged and manipulated front pages of newspapers, from the New York Times to Die Welt. They are characteristic of the way Mir exaggerates the contrast between reality and fiction. And, incidentally, pokes fun at the media.

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Rings of Saturn
from US$250.00

The Madonna dressed in richly coloured robes is holding her Child with the face of the planet Saturn. This tender Fine Art Print reproduces an original hand-cut paper collage by the artist Aleksandra Mir.

The restraint of the intervention — one perfectly placed astronomical image doing all the work — shows a very assured artistic hand. The halos that would traditionally crown both mother and child in a Madonna and Child composition have been replaced with a single image of Saturn and its rings, positioned so the planet rings encircle both their heads simultaneously like a shared crown.

The new artwork combines source materials from antique religious and modern scientific imagery into a new physical and fantastical reality that is deeply moving. The rings of Saturn — one of the most awe-inspiring sights in astronomy — become an emblem of the bond between mother and child. The infinite and the intimate held in the same frame. The worn, cracked paper grounds it in time and mortality, while Saturn speaks of cosmic permanence.

Giclée pigment ink on Hahnemühle German Etching paper achieves a superior quality print with exceptional detail, vibrant color accuracy, and long-term durability. The fresh print reproduces an aged authentic patina and the imprint of the artist’s hand-crafted marks.

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· Limited Edition. 100 ·
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Dream and Promise
from US$250.00

A cluster of cherubs — putti, the chubby winged angels drawn from Renaissance and Baroque painting — surround an outer space rocket. Together they are launched into the blue heavens or perhaps all the way to outer space. This joyful Fine Art Print reproduces an original hand-cut paper collage by the artist Aleksandra Mir.

The new artwork combines source materials from antique religious and modern scientific imagery into a new physical and fantastical reality.

The cherubs, traditionally symbols of the divine and heavenly aspiration, have transferred their devotion from the sacred to the technological. The rocket becomes the new object of veneration — humanity's collective dream made metal. The old world meets the new in an incongruous but tender embrace.

Giclée pigment ink on Hahnemühle German Etching paper achieves a superior quality print with exceptional detail, vibrant color accuracy, and long-term durability. The fresh print reproduces an aged authentic patina and the imprint of the artist’s hand-crafted marks.

· Archival Museum Quality ·
· Limited Edition. 100 ·
· Certificate of Authenticity ·
· Hand & Human-Made without AI ·
· 100% Carbon Neutral ·
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Rocket Science
from US$250.00

Jesus Christ surrounded by a spectacular burst of rockets radiating outward like a halo of human striving — a Fine Art Print of an original hand-cut paper collage by Aleksandra Mir.

The new artwork combines source materials from antique religious and modern scientific imagery into a new fantastical reality. The source is a large format 19th century French devotional lithograph with the text AIMEZ-VOUS LES UNS LES AUTRES (Love one another).

Into this devotional image Aleksandra Mir has collaged an explosion of rockets — many different types from different eras and nations, recognisably including Saturn among them Saturn V, Indian PSLV, and various missiles — launching, soaring, and careening through clouds of fire and exhaust. Christ holds a rocket in one raised hand, imbuing the artwork with extraordinary compositional energy.

Giclée pigment ink on Hahnemühle German Etching paper achieves a superior quality print with exceptional detail, vibrant color accuracy, and long-term durability. The fresh print reproduces an aged authentic patina and the imprint of the artist’s hand-crafted marks.

· Archival Museum Quality ·
· Limited Edition. 100 ·
· Certificate of Authenticity ·
· Hand & Human-Made without AI ·
· 100% Carbon Neutral ·
· Free Worldwide Shipping ·

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